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One Lonely Night, by Mickey Spillane
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More information to be announced soon on this forthcoming title from Penguin USA.
- Sales Rank: #303184 in eBooks
- Published on: 1980-10-07
- Released on: 1980-10-07
- Format: Kindle eBook
About the Author
Born Frank Morrison Spillane in Brooklyn, New York City, Mickey Spillane started writing while at high school. During the Second World War, he enlisted in the Army Air Corps and became a fighter pilot and instructor. After the war, he moved to South Carolina. He was married three times, the third time to Jane Rogers Johnson, and had four children and two stepchildren. He wrote his first novel, I, the Jury (1947), in order to raise the money to buy a house for himself and his first wife, Mary Ann Pearce. The novel sold six and a half million copies in the United States, and introduced Spillane's most famous character, the hardboiled PI Mike Hammer. The many novels that followed became instant bestsellers, until in 1980 the US all-time fiction bestseller list of fifteen titles boasted seven by Mickey Spillane. More than 225 million copies of his books have sold internationally. He was uniformly disliked by critics, owing to the high content of sex and violence in his books. However, he was later praised by American mystery writers Max Alan Collins and William L. DeAndrea, as well as artist Markus Lupertz. The novelist Ayn Rand, a friend of Spillane's, appreciated the black-and-white morality of his books. Spillane was an active Jehovah's Witness. He died in 2006.
Most helpful customer reviews
2 of 2 people found the following review helpful.
Hammer and Spade Covered Our Coasts [46]
By Miami Bob
Mickey Spillane writes like Dashiell Hammett, his character Mike Hammer is like Hammett's Sam Spade, and the gloom and doom of their P.I.'s cases are similar. But, in some uncommon and difficult-to-explain way, the books of each are decidedly different.
First, the issues of "One Lonely Night" involve more than greed - the impetus for murder and mayhem in Hammett's "The Maltese Falcon." This book involves stolen documents containing "information of destruction." Papers of mass destruction. Microfiche.
And, this book involves speeches, news alerts and fears about the Commies. The political hero tells the, ". . . nation of the calamity that had befallen it." Americans were warned ". . . with a special bulletin that told of all ports being watched, the roundup of suspected aliens . . . The world was in an uproar when the stuff was safe as hell . . . " Written in 1951, it may seem dated, but recent events are making it retro.
The fear mongers in this fictional account mirror those that administer our union today. Each has an agenda, each has a cause for its igniting a match to fear's kindling. But, in order to prevent ruining this novel - I tell you that the underlying reasons for the fear mongers of this book are hopefully different than those reasons of our political leaders. Oh, how I hope it is so.
Hammer is cool. He gets in on with women, he smokes Lucky Strikes, he measures his drinking by the bottle - not the glass, and he kills a lot of people. And, each of those people deserve death. Torturous death. Slow, painful, excruciatingly slow and painful death. But, for the most part they are blown away by his 45.
Like Hammett and others of this genre, the similes and hyperbole are wonderfully unique and blue collar. Occasionally, metaphors further color the writing which made Spillane rich and famous - probably two attributes he was not concerned to obtain, but felt no inhibition in accepting the former as it would increase his ability to womanize like his Hammer.
This book is good fun.
4 of 4 people found the following review helpful.
Nobody More Hardboiled Than Mike
By Piano Johnny Jazz
An odd beginning of sorts. Mike Hammer is out of sorts after being scolded by a judge who condemns him as a murderer (although unconvicted). A bit sensitive, Mike takes a lone walk which brings him to a lonely bridge where this story begins with an attempted murder, Mike killing the assassin and the intended victim, scared out of her wits, jumping off the bridge to her death. Mike covers up his own involvement and finds, in searching the man's pockets, a green card. (It turns out its a club card to a Commie (the book's word) organization meant on destroying America as we know it. (The year is 1951, the height of the "Red Scare")
It's all suspense and tough as nails action on the part of Mike after that. What's interesting is how much of the political talk, rants against the people in political office, is the same talk we hear today. Indeed, given the debate about politics today this book could be as relevent today as in 1951 in that regard.
Mike is also throughout the book considering the judge's words. Is he a murderer as evil as any other? I'm not giving any of the story away by saying that by the end of the book he determines he is...and that's OK for he has one difference, he kills only bad guys. Yes, he likes it, but there you go.
Tough as nails.
7 of 9 people found the following review helpful.
Dark night of the soul.
By Robert S. Clay Jr.
Mickey Spillane's popularity in the 1950s was meteoric. This novel is a prime example of Spillane at his snarling best. The anti-Communist hysteria of post WWII America is the backdrop of this tale of lonely death and bloody vengeance. "One Lonely Night" is the archetype Mike Hammer story. All the classic elements are present, most particularly Velda, Hammer's delectable secretary. A young woman's dive off a New York bridge draws Hammer into mystery-adventure mayhem. A nest of Commie (the vernacular is everywhere) spies is hard at work on the streets of New York. Unrestrained by official red tape, and at loggerheads with the authorities, Hammer embarks on a typical one-man war against the Russian-based MVD (whatever that is). Spillane's prose is as rough as his fictional alter ego. What the writing lacks in literary style, it gains in attitude and action. Hammer's earthy first person narrative enhances the character. The underside of the big city comes alive. The body count is large. The sex is raw rather than erotic. The climactic scene in the warehouse, on the inevitable rainy night, is compelling. As Velda hangs naked by a rope from the ceiling, the guy with the scythe and the black cowl stalks at Hammer's side and the machine gun belches blue flame and thunder. The day of the guns prevails. Good reading for genre fans and those who enjoy Mickey Spillane's viewpoint. ;-)
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