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The Second Edition of the Norton Critical Edition of Robinson Crusoe is based on the Shakespeare Head Press reprint of the first edition copy in the British Museum, with the "errata" listed by Defoe’s publisher, William Taylor, incorporated into the text.
Michael Shinagel has collated the reprint with all six authorized editions published by Taylor in 1719 to achieve a text that is faithful to Defoe's original edition. Annotations assist the reader with obscure words and idioms, biblical references, and nautical terms.
"Contexts" helps the reader understand the novel’s historical and religious significance. Included are four contemporary accounts of marooned men, Defoe’s autobiographical passages on the novel’s allegorical foundation, and aspects of the Puritan emblematic tradition essential for understanding the novel’s religious aspects.
"Eighteenth-and Nineteenth-Century Opinions" is a comprehensive study of early estimations by prominent literary and political figures, including Alexander Pope, Jean-Jacques Rousseau, Samuel Johnson, Samuel Taylor Coleridge, William Wordsworth, Edgar Allen Poe, Thomas Babington Macaulay, Charles Dickens, Karl Marx, and John Stuart Mill.
"Twentieth-Century Criticism" is a collection of fourteen essays (five of them new to the Second Edition) that presents a variety of perspectives on Robinson Crusoe by Virginia Woolf, Ian Watt, Eric Berne, Maximillian E. Novak, Frank Budgen, James Joyce, George A. Starr, J. Paul Hunter, James Sutherland, John J. Richetti, Leopold Damrosch, Jr., John Bender, Michael McKeon, and Carol Houlihan Flynn.
A Chronology of Defoe’s life and work and an updated Selected Bibliography are also included.
- Sales Rank: #279278 in Books
- Published on: 1993-12-17
- Original language: English
- Number of items: 1
- Dimensions: 8.40" h x 1.00" w x 5.10" l, 1.02 pounds
- Binding: Paperback
- 448 pages
From School Library Journal
Grade 7 Up-Defoe's classic novel of shipwreck and survival, now nearly 300 years old, is abridged competently in this recording. The flavor of the 18th century language is retained, but the plot moves along at a pace more appealing to 21st century ears. The reader, Martin Shaw, has a pleasant voice, but unfortunately tends to trail off at the ends of sentences, losing whole words. As with all abridgements, large sections of the story and entire characters are omitted, but since most of the book tells of Crusoe's solitary sojourn on the island, this is not a major problem. This version is no substitute for the original, but it would be a supplemental purchase in libraries where abridgements are popular.
Sarah Flowers, Santa Clara County Library, Morgan Hill, CA
Copyright 2000 Reed Business Information, Inc.
From Booklist
Gr. 4-7. The latest title in the Classic Starts series simplifies Defoe's famous survival adventure story, one of the first novels ever written, reworking the tortuous prose into a relaxed, chatty style ("I felt awful") with short sentences that will be accessible to a grade-school audience. True to the 1719 original, the first-person narrative relates how Crusoe defies his parents, runs away to sea, has various adventures, and survives alone on a desert island until he finds a native man whom Robinson calls Friday. The big difference here is that the two men become friends, pals, and equals. There is not a racist word, nothing about Defoe's "savages." For contrast, to spark classroom discussion, pair this with Timothy Meis' retelling, discussed in Focus: "Survivor" (BKL Mr 1 03), which stays true to the prejudice in the original. Hazel Rochman
Copyright © American Library Association. All rights reserved
Review
"Never since childhood have I been so thoroughly immersed in a book" -- Jim Crace Financial Times "An 18th-century reader, raised on a high-minded diet of elegy and pastoral, must have felt stunned on first encountering the jagged prose of a Daniel Defoe, with its street-wise populism and delight in the commonplace" -- Terry Eagleton "Robinson Crusoe has a universal appeal, a story that goes right to the core of existence" -- Simon Armitage Guardian "Defoe should surely be credited with inventing the English novel" Mail on Sunday "Defoe was an imaginative genius" -- John Carey Sunday Times
Most helpful customer reviews
0 of 0 people found the following review helpful.
The first and best escapist novel
By Dr. Morbius
I had never read Defoe's novel until recently. I found it surprisingly well written (very readable to this 21st century reader) and engaging. There are moments when Defoe gets bogged down with Crusoe's journal entries, but I had no idea of the other adventures in the novel that preceded the shipwreck made famous in subsequent retellings in the movies and children's abridgements. It remains a watershed escapist novel as well as a survival manual. Readers will also be surprised that the novel weaves in an ongoing "inner examination" of the castaway's spiritual/religious life as it changes over time and circumstances.
220 of 234 people found the following review helpful.
WARNING: This is NOT the original text
By Joshua Q
Defoe helped to define the modern fictional novel when he wrote about the tales of Robinson Crusoe. The book has a strong religious theme, as was Defoe's intention. However, this version of the text censors out some of the language against what Defoe called the Papist Church (or the Roman Catholic Church) as well as some items which would be considered racially insensitive today (but leaving in much of it as well). I don't understand why this version leaves out some of those parts, as they completely change the story that Defoe intended. I'm not sure that Amazon knows these texts are censored (not the original) as there is no allusion to it in the book's description.
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0 of 0 people found the following review helpful.
Rejuvented version of a classic that was showing it's age...
By Reader
The DK Classics series is a great introduction to the a good range of classic books. Having been raised as a purist, I was a bit uncertain about giving abridged versions of the classics to our kids, but re-reading some of the originals reminded me why some of these classics are loosing their shine- becoming historical artifacts, rather than living, engaging stories. Robinson Crusoe is a prime example of this- although it is nearly an icon as a storyline, it was very much a product of it's time & place, and the world has definitely moved on! But with DK's always-excellent sidebars, giving historical perspective and making the text tangible, and a rather good abridgement, the story becomes possible even for youngish readers. Reviewers who have complained about it being long, slow, overly moralistic or religious should have a go at the unabridged version!
The best thing about this Robinson Crusoe- as well as The Three Musketeers and The Odyssey from the same series- is that our kids really enjoyed them, and are building a good background in writings that have shaped so much of how we view the world. Perhaps they'll read the originals one day- almost certainly in a literature class- and if so they will start with a good understanding of the work.
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